Stories behind the frames.

My cameras can all meter perfectly well. I still carry a small handheld meter on every job, and it has nothing to do with nostalgia.

How The Swimmers was shot from the water: a cheap housing, a borrowed kayak and a lot of cold fingers.

Almost every portrait in Tenement was made beside one kind of window. Here is why north light suits faces.

Notes on shooting colour film in short, grey days: which speed, how to rate it and how to keep it warm.

Most of my personal portraits start with a stranger on the street. This is what I say, and what I do when they say no.